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Through long-exposure photography, the artist reduces moving figures into dynamic, blurred silhouettes set against a stark, dual-tone gradient. The visual field shifts dramatically from high-key, radiating oranges on the left to deep, cool teals on the right, organizing the chaotic flow of pedestrian transit into a meticulously structured color system. By dissolving the distinct boundaries of the individual human form, the work draws on kinetic photography traditions to map how collective bodies navigate and interact within illuminated urban spaces.