It turns out incognito mode is just an optimistic delusion

Bill Lane constructs a dense tableau from discarded mechanical detritus, positioning a grotesque, sculpted visage atop a skeletal armature of mass-produced toys. Illuminated by theatrical red and blue light, this composite photograph visualizes Object-Oriented Ontology, treating late-capitalist commodities as active subjects in a hyper-saturated landscape. Shadowy purple silhouettes and gaming figures punctuate the chaotic assemblage, functioning as withheld avatars that resist clear narrative. By compressing three-dimensional waste into a flattened visual field, Lane stages selfhood as thoroughly entangled with synthetic material excess.