Les Bleus à l'Âme VII

This double-sided work follows the construction of Les Bleus à l'Âme I, with an important addition: gold leaf applied to the back of the weaving that references the luminous golden pagodas of Southeast Asia. These gilded stupas and temples are more than architectural landmarks—they are spiritual anchors, their surfaces catching sunlight to create moments of transcendence in daily life. The gold leaf here functions similarly, as both material presence and symbolic carrier of memory, honoring the sacred beauty embedded in Southeast Asian cultural landscapes.